T-De-Esser is available in AU, VST, and VST3 formats for macOS (M1 supported) and Windows. You can use it to manage high-frequencies from overheads and even get a more authentic sound from a virtual amp simulation that’s too harsh in the midrange.Īt various stages of a project, the T-De-Esser can save you time and an unnecessary headache, and that can’t be bad. The T-De-Esser is a great tool for taming harshness from instruments, too. But, when you want quick and quality results, whether on a single track or bus, the T-De-Esser is pretty impressive. There will be times when you want to take a more surgical approach. When compared to a few other plugins, the T-De-Esser does get you there a little faster, and it does have a knack for staying musical when some others are squeezing the life out of your audio. You don’t have to slam the vocals to get results, and doing so will usually enhance the problem rather than eliminate it. It’s also one of the most common areas that people lose that natural sound. One of the most common reasons for de-essing is to control sibilance in vocals. In this tutorial Ill show you the audacity DeEsser which was created by Paul L way back in 2014 in the following forum. It has handy A/B switch and Undo/Redo functions, too. There are four frequency bands: Low-Hi, Mid-Hi, Hi-End, and High. Beyond that, you get controls for Intensity, Sharpness, Output level, and Frequency Range selection. T-De-Esser’s interface has a large Processing (threshold) knob that engages the plugin. Learning to trust what you hear over what you see can be difficult, so I understand and appreciate Techivation’s approach. However, when it’s not essential, it can become needlessly time-consuming and lead you down a less musical path of varying results. I should say I’m not against such visual feedback, and I think it’s beneficial in certain applications. If we compare something like the Eiosis E2 De-Esser with its spectral analysis display and real-time display of what it’s doing to your audio, the difference is night and day. So, I think taking a more straightforward approach and leaving less opportunity to go too far is often a good way to go.Īs well as limiting the number of controls/buttons, the GUI also takes a cautious approach to visual feedback. Using any plugin designed to remove harshness comes with the risk of going too far and losing the natural quality of the sound. Audacity has built-in support for LV2 plug-ins, which are an extensible successor of LADSPA effects.
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